Concert Review
Loretta Lynn
By Dave Miller
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Loretta Lynn doesn’t play country music. She is country music.
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Her life is legendary. The coal miner’s daughter was born in Kentucky in 1932, married at 13, raised six kids, taught herself to play a guitar she received as an anniversary present at 24 and went on to record 16 No. 1 songs. Her bestselling autobiography was made into an Academy Award-winning movie.
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Lynn has always been her own woman. She wrote songs about everyday women’s issues from philandering husbands to birth control to double standards divorced women face to being widowed by war. Such feminist viewpoints in songs were unheard of at the time, and some radio stations did their best to keep it that way by refusing to play some of Lynn’s songs in the 1960s and 1970s, but that didn’t stop her from becoming enormously popular in country music. Her material has endeared the Country Music Hall of Famer to rock fans, too, many who discovered her when Jack White of The White Stripes produced her critically-acclaimed 2004 album Van Lear Rose.
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A large crowd turned out to see Lynn on Taste of Chicago’s Country Music Day Friday in Grant Park. Her presence attracted the Court Yard Hounds as the opener. The two Dixie Chicks, Emily Robison and Martie Maguire, watched Lynn from the wings of the Petrillo Music Shell after their set, while local badass guitarists Inga Olson and Susie Q. of The Wanton Looks looked on from the pavilion. Lynn has earned a reputation as a loose cannon and you had to wonder how she’d perform at the age of 79. Lynn waltzed onstage in an ornate lavender dress fit for a queen and quickly dashed any such concerns about whether she was up to the task.
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Lynn was in fine voice right from the opener, “They Don’t Make ‘Em Like My Daddy Anymore.” As she sang the lyrics to the next song, “You’re Lookin’ at Country,” it was like watching a history book come to life. “'Cause if you’re lookin’ at me, you’re lookin’ at country,” Lynn sang, rightfully as fact. Hearing songs such as “You Ain’t Woman Enough (To Take My Man)” and “Fist City” were like taking a tour through country music. At one point a member of her band suggested, “Let’s do one that was a big No. 1 hit for you.” “Which one?” Lynn replied.
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The feisty singer was in fine form. The only mistake she seemed to make probably would have went unnoticed had she not brought it up after “Here I Am Again.” “Did I screw up on that one?” she asked her band. “You gave them a little extra,” one of her musicians answered. “I don’t care,” Lynn said with sass before gesturing to the audience. “They don’t care.” The crowd ate it up. Lynn showed she’s still interested in making artistic statements by merging “One’s on the Way” into “The Pill.” She treated everyone to the first song she ever wrong, “Honky Tonk Girl.” “Dear Uncle Sam,” written during the Vietnam War about a wife losing her husband to war, sounded every bit as relevant today.
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Then a reminder came of how deep Lynn’s roots in country history go when she played four songs of her old friend, Patsy Cline – “Walkin’ After Midnight,” “I Fall to Pieces,” “She’s Got You” and “Crazy” – that had some couples dancing in the aisles. Lynn took a one-song break to sit while her band played. She closed with her signature song, “Coal Miner’s Daughter,” which brought the crowd to its feet. “The most important lady in the history of country music,” a band member announced as Lynn left the stage, leaving those in attendance with the memory of seeing her give a performance worthy of that history in the twilight of her career.
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The setlist:
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They Don’t Make ‘Em Like My Daddy Anymore
You’re Lookin’ at Country
When the Tingle Becomes a Chill
I Wanna Be Free
Here I Am Again
You Ain’t Woman Enough (To Take My Man)
Blue Kentucky Girl
Fist City
Lead Me On
One’s on the Way/The Pill
Honky Tonk Girl
Dear Uncle Sam
Walkin’ After Midnight/I Fall to Pieces
She’s Got You
Crazy
(band song)
Coal Miner’s Daughter
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Start: 6:43 p.m./Finish: 7:31 p.m.
Totals: 15 songs, 48 minutes
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Loretta Lynn
Loretta Lynn
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Loretta Lynn
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Court Yard Hounds
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The Court Yard Hounds opened for Loretta Lynn with a set that was worthy of headling. The band is the side project of sisters Emily Robison and Martie Maguire as they wait for Natalie Maines to want to play with them again in the Dixie Chicks. While Maines is the magnetic front woman of the Chicks, Robison and Maguire showed they can step forward to front their own band.
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Robison played electric guitar, steel guitar and banjo, while Maguire played fiddle and mandolin. Robison is the lead singer, but Maguire handles a chunk of the vocals, too. They harmonize beautifully. Five musicians accompanied them. While Robison and Maguire don’t have a star presence like Maines does, the sisters do project a subtle strength that increases over time thanks to their musical command. And they’re unassuming nature makes them likeable and relatable.
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The first four songs breezily floated across the pavilion, seemingly as part of the lakefront as Grant Park and Buckingham Fountain on the warm summer night. The next song, “See You in the Spring,” was a well-intentioned homage to the city, but it seemed out of place thanks to lyrics of “cold Chicago nights” and “chains on the tires.” It was one of six songs played from the Hounds’ self-titled, debut album that was released last year. Robison acknowledged the summer weather. “I thought it was going to be cooler than it is, but I’m sweating,” she said after asking for a towel. “Being from Texas I’m used to it being hot, but not this humid.”
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Maguire self-effacingly joked that whenever the band tries to rock out, its nerdy side breaks into bluegrass. The Hounds sounded good whatever they played, but indeed were at their best when they played in bluegrass mode with Maguire's fiddle collaborating with Robison’s banjo and the band's mandolin and pedal steel. Their mountain side of their sound frames their clear harmonies the best, too. “Caged Bird,” one of a handful of new songs played, was a stellar example of that.
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That said, “Rock All Night,” sung by Robison and pumped up by an organ, bounced like a good Sheryl Crow tune. That smartly followed the Maguire-sung “A Guy Like You,” which featured a seductive groove so slow that it threatened to stop. The Hounds broke their rule of not breaking out any Dixie Chicks songs out of respect to Maines, playing a crowd-pleasing “Lil’ Jack Slade” in which they substituted Maines’ vocals with Robison’s burning banjo. “Ain’t No Son” showcased the vocals of Robison and Maguire on top of an organ before a rousing finish, but not before Macguire paid respect to Lynn. “It’s a pleasure to be playing with a legend,” she said. “She influenced so much of our music…See you down the road. Thank you so much.” I’m sure many of their fans hope the next time that Robison and Maguire come to town it will be as part of the Dixie Chicks, but it would be just fine with at least one listener if it as the Hounds.
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The setlist:
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Delight (Something New Under the Sun)
It Didn’t Make a Sound
Phoebe
Then Again
See You in the Spring
Happy Days
Caged Bird
A Guy Like You
Rock All Night
The Coast
Lil’ Jack Slade
Ain’t No Son
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Start: 5:07 p.m./Finish: 6:07 p.m.
Totals: 12 songs, one hour
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Court Yard Hounds
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Court Yard Hounds
July 1, 2011 @ Taste of Chicago
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Court Yard Hounds